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Women On Stage In Stuart Drama

Women on Stage in Stuart Drama PDF
Author: Sophie Tomlinson
Publisher: Cambridge University Press
Release: 2005
Size: 40.68 MB
Format: PDF, Mobi
Category : Drama
Languages : un
Pages : 294
View: 2212

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Staging Spectatorship In The Plays Of Philip Massinger

Staging Spectatorship in the Plays of Philip Massinger PDF
Author: Joanne Rochester
Publisher: Ashgate Publishing, Ltd.
Release: 2010
Size: 27.65 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 172
View: 4559

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In Staging Spectatorship in the Plays of Philip Massinger, Joanne Rochester examines examples of on-stage spectatorship in three plays by Massinger, head playwright for the King's Men from 1625 to 1640. Focusing on the specific form of metatheatrical inset in each play-plays-within in The Roman Actor, masques-within in The City Madam, and the titular miniature portrait of The Picture - she analyzes Massinger's assumptions about interpretation, perception and spectator response.

Bento Box In The Heartland

Bento Box in the Heartland PDF
Author: Linda Furiya
Publisher: Seal Press
Release: 2006-12-21
Size: 46.39 MB
Format: PDF, ePub
Category : Cooking
Languages : en
Pages : 320
View: 6107

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The syndicated food columnist blends childhood memories, food, and cultural identity in a memoir revealing what life was like in the 1960s for the only Asian American family living in the farming community of Versailles, Indiana.

Treading The Bawds

Treading the bawds PDF
Author: Gilli Bush-Bailey
Publisher: Manchester University Press
Release: 2013-07-19
Size: 52.91 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : un
Pages : 272
View: 839

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Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.

Tudor And Stuart Drama

Tudor and Stuart Drama PDF
Author:
Publisher: Arlington Heights, Ill. : AHM Publishing Corporation
Release: 1978
Size: 54.66 MB
Format: PDF, ePub, Mobi
Category : English drama
Languages : en
Pages : 121
View: 4835

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Women On The Renaissance Stage

Women on the Renaissance Stage PDF
Author: Clare McManus
Publisher: Manchester University Press
Release: 2002
Size: 12.67 MB
Format: PDF, ePub
Category : Drama
Languages : un
Pages : 276
View: 7485

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This text provides a unique reassessment of women's relationship to performance in early modern England. A study of women's participation in the Jacobean court masque, it gives detailed historicised and interdisciplinary readings of the performances of Anna of Denmark in the Scottish and English Jacobean courts.

Community Making In Early Stuart Theatres

Community Making in Early Stuart Theatres PDF
Author: Anthony W. Johnson
Publisher: Taylor & Francis
Release: 2016-10-14
Size: 17.20 MB
Format: PDF, Docs
Category : Literary Criticism
Languages : un
Pages : 432
View: 7126

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Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.

Language Quarterly

Language Quarterly PDF
Author:
Publisher:
Release: 1982
Size: 12.79 MB
Format: PDF
Category : Philology
Languages : en
Pages :
View: 5785

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The Unruly Womb In Early Modern English Drama

The Unruly Womb in Early Modern English Drama PDF
Author: Ursula A. Potter
Publisher: Walter de Gruyter GmbH & Co KG
Release: 2019-04-01
Size: 55.26 MB
Format: PDF, Docs
Category : History
Languages : un
Pages : 224
View: 4766

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This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She analyzes how playwrights employed visual and verbal clues to identify the sexual status of female characters to engage their audiences with popular concepts of women’s health; and how they satirized the notion of the womb’s insatiable appetite, suggesting that men who fear it have been duped. But the study also recognizes that, as these dramatists were fully aware, merely by bringing such material to the stage so frequently, they were complicit in perpetuating such theories.

Colonial Women

Colonial Women PDF
Author: Heidi Hutner
Publisher: Oxford University Press
Release: 2001-10-04
Size: 17.49 MB
Format: PDF
Category : Literary Criticism
Languages : un
Pages : 152
View: 4259

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Colonial Women examines the women-as-land metaphor in English colonial dramatic literature of the seventeenth century, and looks closely at the myths of two historical native female figures--Pocahontas of Virginia and Malinche of Mexico--to demonstrate how these two stories are crucial to constructions of gender, race, and English nationhood in the drama and culture of the period. Heidi Hutner's interpretations of the figure of the native woman in the plays of Shakespeare, Fletcher, Davenant, Dryden, and Behn reveal how the English patriarchal culture of the seventeenth century defined itself through representations of native women and European women who have "gone native." These playwrights use the figure of the native woman as a symbolic means to stabilize the turbulent sociopolitical and religious conflicts in Restoration England under the inclusive ideology of expansion and profit. Colonial Women uncovers the significance of the repeated dramatic spectacle of the native women falling for her European seducer and exploiter, and demonstrates that this image of seduction is motivated by an anxiety-laden movement to reinforce patriarchal authority in seventeenth-century England.